
CARNES by Esther Teillard, Éditions Pauvert, January 2025
Accepted at the Beaux-Arts in Cergy, the narrator of CARNES leaves her native Marseille for northeastern Paris. A new world holds out its arms to her, more sororal, less volcanic, where debates on inclusivity have replaced misogynist whistles. But where does violence nestle when it fears to speak its name?
Cagoles, Chinese prostitutes, poisonous students and emotional muralists: CARNES draws up a searing inventory of bourgeois feminist vulgate and the way patriarchal violence persists behind postures of virtue.
Esther Teillard is a young writer who graduated from the Beaux-Arts de Cergy art school. She is a regular contributor to France Culture and ArtPress. Her first novel, CARNES (éditions Pauvert, 2025), is a noisy entry in contemporary French literature.
Le chant du merle humain by Samy Langeraert, Éditions Verdier, March 2025
Every day, in his little office, surrounded by a few fetish objects, the human blackbird meditates, contemplates and writes down the strange ideas that run through him. Each page brings a wealth of new knowledge. What’s the right technique for really seeing things? Why does light get wet? How can I make a lot of money? What does the double-parked van do? When he’s not seized with explanatory frenzy, the human blackbird takes a step back. Once, long ago, the blackbird fell in love. Whether he’s remembering or musing, the human blackbird just sings all the way through without a sound. Not that he prefers silence, but it’s the nature of his song to remain hushed on the page.
Samy Langeraert was born in Paris in 1985. He lives in Berlin. He published his first book, Mon temps libre, in 2019.
CARNES by Esther Teillard, Éditions Pauvert, January 2025
Accepted at the Beaux-Arts in Cergy, the narrator of CARNES leaves her native Marseille for northeastern Paris. A new world holds out its arms to her, more sororal, less volcanic, where debates on inclusivity have replaced misogynist whistles. But where does violence nestle when it fears to speak its name?
Cagoles, Chinese prostitutes, poisonous students and emotional muralists: CARNES draws up a searing inventory of bourgeois feminist vulgate and the way patriarchal violence persists behind postures of virtue.
Esther Teillard is a young writer who graduated from the Beaux-Arts de Cergy art school. She is a regular contributor to France Culture and ArtPress. Her first novel, CARNES (éditions Pauvert, 2025), is a noisy entry in contemporary French literature.
Le chant du merle humain by Samy Langeraert, Éditions Verdier, March 2025
Every day, in his little office, surrounded by a few fetish objects, the human blackbird meditates, contemplates and writes down the strange ideas that run through him. Each page brings a wealth of new knowledge. What’s the right technique for really seeing things? Why does light get wet? How can I make a lot of money? What does the double-parked van do? When he’s not seized with explanatory frenzy, the human blackbird takes a step back. Once, long ago, the blackbird fell in love. Whether he’s remembering or musing, the human blackbird just sings all the way through without a sound. Not that he prefers silence, but it’s the nature of his song to remain hushed on the page.
Samy Langeraert was born in Paris in 1985. He lives in Berlin. He published his first book, Mon temps libre, in 2019.






