Bonnes mères

© Pierre et Gilles, La Vierge à l’enfant, Hafsia Herzi et Loric, 2009
Atelier de Botticelli -La Vierge à la grenade - 1487 ©Thibaut Chapotot / Fondation Carmignac
Sandro Botticelli (atelier de), La Vierge à la Grenade, vers 1487, Collection Carmignac ©Thibaut Chapotot / Fondation Carmignac
Atelier de Botticelli -La Vierge à la grenade - 1487 © Collection Carmignac
Zelij - SuperOum - Format 70x70 cm - © 2022 Fatima MAZMOUZ

For over four thousand years, motherhood has been central to tales, rites and images that shape the course of societies. Drawing from Mediterranean cultural sources, the exhibition Good Mothers explores motherhood as an intimate experience, social construct, political matter and artistic theme.

From the ancient mother goddess to Marseille’s “Good Mother”, from patriotic heroines to contemporary artists, it reflects on the many ways motherhood is represented, often laden with expectations, and reveals the richness and variety of maternal experience. In three thematic movements, the exhibition first unfolds the imaginary realm of traditional maternal figures, then brings to light the multiple and sometimes invisible realities of motherhood, before evoking the bonds and transmissions that shape the mother-child relationship.

 

 

Bathed in light and immersive in its design, the scenography accompanies this emotional journey. It reveals the physical, symbolic and political weight carried by motherhood, while honouring those maternal figures long consigned to the shadows.

For over four thousand years, motherhood has been central to tales, rites and images that shape the course of societies. Drawing from Mediterranean cultural sources, the exhibition Good Mothers explores motherhood as an intimate experience, social construct, political matter and artistic theme.

Atelier de Botticelli -La Vierge à la grenade - 1487 ©Thibaut Chapotot / Fondation Carmignac
Sandro Botticelli (atelier de), La Vierge à la Grenade, vers 1487, Collection Carmignac ©Thibaut Chapotot / Fondation Carmignac

From the ancient mother goddess to Marseille’s “Good Mother”, from patriotic heroines to contemporary artists, it reflects on the many ways motherhood is represented, often laden with expectations, and reveals the richness and variety of maternal experience. In three thematic movements, the exhibition first unfolds the imaginary realm of traditional maternal figures, then brings to light the multiple and sometimes invisible realities of motherhood, before evoking the bonds and transmissions that shape the mother-child relationship.

 

 

Atelier de Botticelli -La Vierge à la grenade - 1487 © Collection Carmignac
Zelij - SuperOum - Format 70x70 cm - © 2022 Fatima MAZMOUZ

Bathed in light and immersive in its design, the scenography accompanies this emotional journey. It reveals the physical, symbolic and political weight carried by motherhood, while honouring those maternal figures long consigned to the shadows.

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