An Afro-Queer tale that reinvents founding narratives.
With Anthony Martine and Mérèndys Martine
It was during his years as a preparatory student that Anthony Martine noticed the lack of diversity in the images that had populated his childhood – films, songs, admired figures. In this resolutely queer fable, he seizes on the medieval tale with joyful irreverence, hijacking its codes and opening up a space where other bodies and other desires appear.
On stage, the figures undergo a metamorphosis: the king’s jester rubs shoulders with “Paris Ardant”, a drag godmother inspired by Fanny Ardant, a whimsical guide on an initiatory journey where first times, desires and learning intermingle. At his side, Mérèndys Martine accompanies the story like a familiar yet mysterious presence.
Somewhere between autofiction and performance, this counter-tale invents a space where new queer figures emerge, free and multiple.
An Afro-Queer tale that reinvents founding narratives.
With Anthony Martine and Mérèndys Martine
It was during his years as a preparatory student that Anthony Martine noticed the lack of diversity in the images that had populated his childhood – films, songs, admired figures. In this resolutely queer fable, he seizes on the medieval tale with joyful irreverence, hijacking its codes and opening up a space where other bodies and other desires appear.
On stage, the figures undergo a metamorphosis: the king’s jester rubs shoulders with “Paris Ardant”, a drag godmother inspired by Fanny Ardant, a whimsical guide on an initiatory journey where first times, desires and learning intermingle. At his side, Mérèndys Martine accompanies the story like a familiar yet mysterious presence.
Somewhere between autofiction and performance, this counter-tale invents a space where new queer figures emerge, free and multiple.
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