
Information
Following a technical incident, the Mucem online ticketing service is currently unavailable.
On-site ticketing is open during the museum’s usual opening hours, and the ticket office can be reached by phone at +33 4 84 35 13 13 from 9 a.m. to 6 p.m.
For any questions regarding the programme, you can contact us by email at reservation@mucem.org.
After studying the role of images on boxes, the fourth session will focus on images produced in and by boxes. Once again, we’ll be taking a long-term approach, from the 15th century to the present day. Much of the history of Western painting, from Alberti to abstraction, from the camera obscura to Poussin’s maquettes, is indeed a matter of putting things in boxes, and this is even more obvious with photography and cinema. Echoing the exhibition devoted to Quixote, and comparing Montesinos’s cave with aquariums, plant crates, pinhole cameras and daguerreotypes, we’ll be looking at the role of transparency and the opening of boxes in the production of images.
With :
Samir Boumediene, teacher-researcher (IHRIM, UMR 5317, ENS de Lyon)
Philippe-Alain Michaud, curator, Musée National d’Art Moderne – Centre Pompidou
Morgan Bancon, artist
Erasme Rouxel, doctoral student, ENS-PSL, SACRe laboratory
Laurent Abitbol, screenwriter and director
Information
Following a technical incident, the Mucem online ticketing service is currently unavailable.
On-site ticketing is open during the museum’s usual opening hours, and the ticket office can be reached by phone at +33 4 84 35 13 13 from 9 a.m. to 6 p.m.
For any questions regarding the programme, you can contact us by email at reservation@mucem.org.
After studying the role of images on boxes, the fourth session will focus on images produced in and by boxes. Once again, we’ll be taking a long-term approach, from the 15th century to the present day. Much of the history of Western painting, from Alberti to abstraction, from the camera obscura to Poussin’s maquettes, is indeed a matter of putting things in boxes, and this is even more obvious with photography and cinema. Echoing the exhibition devoted to Quixote, and comparing Montesinos’s cave with aquariums, plant crates, pinhole cameras and daguerreotypes, we’ll be looking at the role of transparency and the opening of boxes in the production of images.
With :
Samir Boumediene, teacher-researcher (IHRIM, UMR 5317, ENS de Lyon)
Philippe-Alain Michaud, curator, Musée National d’Art Moderne – Centre Pompidou
Morgan Bancon, artist
Erasme Rouxel, doctoral student, ENS-PSL, SACRe laboratory
Laurent Abitbol, screenwriter and director

