Hervé Di Rosa

Un air de famille

Affiche Hervé Di Rosa
Hervé Di Rosa, Marseille IV, 2024. Acrylique sur toile, 220 x 350 cm © Adagp, Paris, 2025; photo: Pierre Schwartz
Affiche Di Rosa Horinzontale

Bande-annonce de l'exposition « Hervé Di Rosa, Un air de famille »

Hervé Di Rosa Direction artistique Jean Seisser, Mars 2025 Mucem © Julie Cohen, Mucem
Hervé Di Rosa Direction artistique Jean Seisser, Mars 2025 Mucem © Julie Cohen, Mucem

With total freedom, Hervé Di Rosa has chosen works from the Mucem's collections that appeal to his sensibility, to create a complementary piece around each of them.

Just as a ring is designed for a diamond, so a reliquary is built to highlight what is sacred. The artist felt that there was a family resemblance between his works and the folk art objects at the Mucem.

Three sculpted panels by Hervé Di Rosa, created in the Amadoua highlands of the Noun region (western Cameroon), stand alongside a fish-shaped merry-go-round. At the other end of the room, a ladder made of ox yokes collected in the French regions by the museum’s ethnographers seems to escape (or give wings?) to a resin cow painted by the artist. A long hunting rifle (3.70m!), once used for waterfowl, is presented amid a myriad of wooden birds, carved years ago by Marius Di Rosa. This collection of hunting decoys is all the more important as it is undoubtedly a founding element in the artist’s career: his father, an SNCF employee, spent much of his spare time carving and coloring decoys for duck hunting. From an early age, Hervé Di Rosa watched his father work wood, sculpting and painting it. These sculptures were not destined for the museum: created on the kitchen table, they were displayed on the water, in the ponds.

About the artist

  • Hervé Di Rosa

    Hervé Di Rosa was born in Sète in 1959. In 1981, he co-founded the Figuration Libre movement. He is the author or subject of over 150 art books and publications. Conceiver of Art Modeste, he founded the Musée International des Arts Modestes (MIAM) in Sète in 2000. Since 1981, his work has been the subject of over 200 solo exhibitions. He currently lives and works in Lisbon, Portugal. He was elected to the Académie des Beaux-Arts in December 2022.

To present the beautiful and patient work of embedding Hervé Di Rosa’s custom-made works in the Mucem collections, an inventive and joyful itinerary was needed. Artistic director Jean Seisser, a long-standing accomplice of Hervé Di Rosa, imagined the exhibition as an archipelago made up of some fifteen islets. Each of these islands brings together some of the objects in the Mucem collections with a creation by Hervé Di Rosa. Each island tells its own story, freely interpretable by the visitor.

Around the works in the exhibition

  • Works by Hervé Di Rosa

    Some sixty works by Hervé Di Rosa are on show, along with numerous figurines from his personal collection, and wooden hunting decoys carved and painted by his father, Marius Di Rosa. Hervé Di Rosa’s works at the Mucem range from ceramics, created for this exhibition, to sculptures in wood (ronde-bosse, bas-relief), bronze, papier-mâché and resin, as well as paintings (acrylic on canvas). Some of the artist’s works were created especially for this exhibition.

  • Works in the collections

    More than 120 works from the Mucem collections are featured in this exhibition. The main works presented are a Norman wardrobe (early 19th century), a Breton wardrobe (early 19th century), a West Indian wardrobe (early 20th century), a Lorraine dresser (18th century), a hunting rifle (1st half of the 19th century), French ox yokes (20th century), a monumental fairground organ (early 20th century), a model mine made by a miner (late 20th century), two merry-go-rounds (20th century), some twenty Sicilian puppets (mid-20th century), a mechanical laundry (early 20th century), bowling balls (20th century) and a large number of whistles, statuettes and water whistles (19th-20th centuries), most of them in ceramic.

Curious about everything and driven by a strong desire to travel the world, immediately after graduating from high school he enrolled at the École Nationale Supérieure des Arts Décoratifs (Paris). Wherever and whenever he goes, Hervé Di Rosa works with local artisans. Those who, throughout the world, know how to update their know-how with each new generation, to create works for the places where they appear, and the people who live there.
A large painting on canvas depicts the “Marseillais”, and their portraits also form the backdrop for the suspended claustras that punctuate the exhibition.

Art Direction

Jean Seisser, art critic

Police station

Vincent Giovannoni, Chief Curator, Head of the Performing Arts Department, Mucem

Scenography

Gabrielle Laurin Mercury and Studio Mash

With total freedom, Hervé Di Rosa has chosen works from the Mucem's collections that appeal to his sensibility, to create a complementary piece around each of them.

Hervé Di Rosa, Marseille IV, 2024. Acrylique sur toile, 220 x 350 cm © Adagp, Paris, 2025; photo: Pierre Schwartz

Just as a ring is designed for a diamond, so a reliquary is built to highlight what is sacred. The artist felt that there was a family resemblance between his works and the folk art objects at the Mucem.

Three sculpted panels by Hervé Di Rosa, created in the Amadoua highlands of the Noun region (western Cameroon), stand alongside a fish-shaped merry-go-round. At the other end of the room, a ladder made of ox yokes collected in the French regions by the museum’s ethnographers seems to escape (or give wings?) to a resin cow painted by the artist. A long hunting rifle (3.70m!), once used for waterfowl, is presented amid a myriad of wooden birds, carved years ago by Marius Di Rosa. This collection of hunting decoys is all the more important as it is undoubtedly a founding element in the artist’s career: his father, an SNCF employee, spent much of his spare time carving and coloring decoys for duck hunting. From an early age, Hervé Di Rosa watched his father work wood, sculpting and painting it. These sculptures were not destined for the museum: created on the kitchen table, they were displayed on the water, in the ponds.

Affiche Di Rosa Horinzontale

Bande-annonce de l'exposition « Hervé Di Rosa, Un air de famille »

About the artist

  • Hervé Di Rosa

    Hervé Di Rosa was born in Sète in 1959. In 1981, he co-founded the Figuration Libre movement. He is the author or subject of over 150 art books and publications. Conceiver of Art Modeste, he founded the Musée International des Arts Modestes (MIAM) in Sète in 2000. Since 1981, his work has been the subject of over 200 solo exhibitions. He currently lives and works in Lisbon, Portugal. He was elected to the Académie des Beaux-Arts in December 2022.

Hervé Di Rosa Direction artistique Jean Seisser, Mars 2025 Mucem © Julie Cohen, Mucem
Hervé Di Rosa Direction artistique Jean Seisser, Mars 2025 Mucem © Julie Cohen, Mucem

To present the beautiful and patient work of embedding Hervé Di Rosa’s custom-made works in the Mucem collections, an inventive and joyful itinerary was needed. Artistic director Jean Seisser, a long-standing accomplice of Hervé Di Rosa, imagined the exhibition as an archipelago made up of some fifteen islets. Each of these islands brings together some of the objects in the Mucem collections with a creation by Hervé Di Rosa. Each island tells its own story, freely interpretable by the visitor.

Around the works in the exhibition

  • Works by Hervé Di Rosa

    Some sixty works by Hervé Di Rosa are on show, along with numerous figurines from his personal collection, and wooden hunting decoys carved and painted by his father, Marius Di Rosa. Hervé Di Rosa’s works at the Mucem range from ceramics, created for this exhibition, to sculptures in wood (ronde-bosse, bas-relief), bronze, papier-mâché and resin, as well as paintings (acrylic on canvas). Some of the artist’s works were created especially for this exhibition.

  • Works in the collections

    More than 120 works from the Mucem collections are featured in this exhibition. The main works presented are a Norman wardrobe (early 19th century), a Breton wardrobe (early 19th century), a West Indian wardrobe (early 20th century), a Lorraine dresser (18th century), a hunting rifle (1st half of the 19th century), French ox yokes (20th century), a monumental fairground organ (early 20th century), a model mine made by a miner (late 20th century), two merry-go-rounds (20th century), some twenty Sicilian puppets (mid-20th century), a mechanical laundry (early 20th century), bowling balls (20th century) and a large number of whistles, statuettes and water whistles (19th-20th centuries), most of them in ceramic.

Curious about everything and driven by a strong desire to travel the world, immediately after graduating from high school he enrolled at the École Nationale Supérieure des Arts Décoratifs (Paris). Wherever and whenever he goes, Hervé Di Rosa works with local artisans. Those who, throughout the world, know how to update their know-how with each new generation, to create works for the places where they appear, and the people who live there.
A large painting on canvas depicts the “Marseillais”, and their portraits also form the backdrop for the suspended claustras that punctuate the exhibition.

Art Direction

Jean Seisser, art critic

Police station

Vincent Giovannoni, Chief Curator, Head of the Performing Arts Department, Mucem

Scenography

Gabrielle Laurin Mercury and Studio Mash

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