

Angèle, by Marcel Pagnol
Two films, two eras, but the same exploration of motherhood, the passing down of traditions, and women’s place in society.
With Caroline Chenu, co-curator of the exhibition “Good Mothers”
*Angèle*, by Marcel Pagnol, 1934, 2h23 – Original Version with French Dubbing
After being seduced and then abandoned, Angèle soon finds herself in a brothel in Marseille. A single mother to a young boy, she returns to her village, where her father locks her in the farm’s cellar along with her illegitimate child…
The screening will be preceded by the short film *Les framboises blanches*
*White Raspberries*, by Isidora Vullić, 2024, 3’57
Mothers’ stories and silences often span generations.
Practical information
Bar and light meals available on site.
Chairs and bleachers are available. You may want to bring cushions for your comfort.
Starting at 8:00 p.m., access is only via the Passerelle Saint-Laurent (Panier side).
Two films, two eras, but the same exploration of motherhood, the passing down of traditions, and women’s place in society.

Angèle, by Marcel Pagnol
With Caroline Chenu, co-curator of the exhibition “Good Mothers”
*Angèle*, by Marcel Pagnol, 1934, 2h23 – Original Version with French Dubbing
After being seduced and then abandoned, Angèle soon finds herself in a brothel in Marseille. A single mother to a young boy, she returns to her village, where her father locks her in the farm’s cellar along with her illegitimate child…
The screening will be preceded by the short film *Les framboises blanches*
*White Raspberries*, by Isidora Vullić, 2024, 3’57
Mothers’ stories and silences often span generations.
Practical information
Bar and light meals available on site.
Chairs and bleachers are available. You may want to bring cushions for your comfort.
Starting at 8:00 p.m., access is only via the Passerelle Saint-Laurent (Panier side).






