Lydie Salvayre © Jean-Pierre Loubat
Conference

Dream on your feet

Carte blanche for Lydie Salvayre in discussion with Danielle Perrot-Corpet

Gustave Doré, « En cheminant ainsi, notre tout neuf aventurier se parlait à lui-même », illustration hors texte publiée dans L’ingénieux hidalgo Don Quichotte de la Manche de Cervantes, tome I,  traduction de Louis Viardot, Hachette, 1863                                                                                                                                                                                                    © Bibliothèque nationale de France
Gustave Doré, « En cheminant ainsi, notre tout neuf aventurier se parlait à lui-même », illustration hors texte publiée dans L’ingénieux hidalgo Don Quichotte de la Manche de Cervantes, tome I, traduction de Louis Viardot, Hachette, 1863 © Bibliothèque nationale de France

Always defeated, always standing: ridiculous or admirable, what do Don Quixote’s battles against the windmills of a world that doesn’t go round tell us? Lydie Salvayre and Danielle Perrot-Corpet will help us “dream on our feet” of the world we’d like to invent.

Lydie Salvayre has a dual career: as well as being a well-known writer, she studied medicine at the University of Aix-Marseille and practiced psychiatry and child psychiatry in Bouc-Bel Air and Paris.

A major figure in contemporary literature, she won the Prix Goncourt in 2014 for her novel Pas pleurer (Editions du seuil).

In 2025, the publication of her latest work, Autoportrait à l’encre noire (published by Robert Laffont), was an opportunity to look back on a personal trajectory that made Quixote one of her fellow travelers. In 2021, in Rêver Debout (éditions du Seuil), she takes up the defense of the vigilante knight in an epistolary novel addressed to Cervantes, reproaching him for all the harm he does to his justice-loving knight: a manifesto book as much as a vibrant tribute to the necessary utopias embodied by this universal hero.

Always defeated, always standing: ridiculous or admirable, what do Don Quixote’s battles against the windmills of a world that doesn’t go round tell us? Lydie Salvayre and Danielle Perrot-Corpet will help us “dream on our feet” of the world we’d like to invent.

Gustave Doré, « En cheminant ainsi, notre tout neuf aventurier se parlait à lui-même », illustration hors texte publiée dans L’ingénieux hidalgo Don Quichotte de la Manche de Cervantes, tome I,  traduction de Louis Viardot, Hachette, 1863                                                                                                                                                                                                    © Bibliothèque nationale de France
Gustave Doré, « En cheminant ainsi, notre tout neuf aventurier se parlait à lui-même », illustration hors texte publiée dans L’ingénieux hidalgo Don Quichotte de la Manche de Cervantes, tome I, traduction de Louis Viardot, Hachette, 1863 © Bibliothèque nationale de France

Lydie Salvayre has a dual career: as well as being a well-known writer, she studied medicine at the University of Aix-Marseille and practiced psychiatry and child psychiatry in Bouc-Bel Air and Paris.

A major figure in contemporary literature, she won the Prix Goncourt in 2014 for her novel Pas pleurer (Editions du seuil).

In 2025, the publication of her latest work, Autoportrait à l’encre noire (published by Robert Laffont), was an opportunity to look back on a personal trajectory that made Quixote one of her fellow travelers. In 2021, in Rêver Debout (éditions du Seuil), she takes up the defense of the vigilante knight in an epistolary novel addressed to Cervantes, reproaching him for all the harm he does to his justice-loving knight: a manifesto book as much as a vibrant tribute to the necessary utopias embodied by this universal hero.

Pilar Albarracin, Asnaria, installation, 2010 © Pilar Albarracin Galerie Georges Philippe & Nathalie Vallois © Adagp, Paris, 2025

Change the world?

Don Quixote's way of seeing

  • Conference
This cultural and scientific event brings together personalities from the worlds of literature, art, cinema and social sciences to discuss the "sad figure" of Don Quixote, as funny as he is moving.
We’ll walk through the exhibition together, following some of the paths it takes, before a literary evening where we’ll dream on our feet in the company of writer Lydie Salvayre and all the day’s participants. 10 a.m. to 10:45 a.m. Opening lecture -Why read Don Quixote today? William Marx questions our times through the eyes of the visionary, mischievous hero that is Don Quixote. William Marx is Professor of Comparative Literature at the Collège de France. He questions the...
2:30 to 3:45 p.m. – To be a donkey or to become a goat? Don Quixote is funny, which means he’s both hilarious and bizarre. The laughter aroused by the knight’s extravagant illusions is complex, endearing and caustic: let’s laugh at him, let’s laugh with him, let’s laugh at ourselves!
4:00 pm to 6:00 pm – The author, between reality and fiction World Copyright Day has been set for April 23, in homage to Cervantes. Yet no one has been more translated, plagiarized, hijacked and reinvented. We look back at the concrete and sometimes unexpected questions that the author’s authority poses for us, from the ingenuity of our hidalgo to the Artificial Intelligence of the 21st century.
6:00 p.m. to 7:00 p.m. – Meet the authors in the Forum Get together and sign books with the day’s authors and artists, authors from the Don Quichotte catalog and Lydie Salvayre.
In partnership with EHESS, IMERA and Université d’Aix-Marseille