Sunday, July 14 - Exceptional closure of Fort Saint-Jean at 4pm

On July 14, we inform you that Fort Saint-Jean and access to the exhibition «Achievements and masterpieces» will be exceptionally closed from 4pm.
The museum and exhibitions «Naturist paradises», «Mediterranean», «Shared passions» and «Popular?» will remain open at regular hours.

Livre - Mad men and working women

305.3 ENG

Description

Livre

Peter Lang

Engstrom Erika 1964 - ...

Lucht Tracy 1975 - ...

Marcellus Jane

Voss Kimberly Wilmot 1970 - ...

Presentation materielle : 1 vol. (195 p.)

Dimensions : 24 cm

This book offers interpretive and contextual tools to read the AMC television series Mad Men, providing a much-needed historical explanation and exposition regarding the status of women in an era that has been painted as pre- or non-feminist. In chapters aimed at helping readers understand women’s lives in the 1960s, Mad Men is used as a springboard to explore and discover alternative ways of seeing women. Offering more than a discussion of the show itself, the book offers historical insight for thinking about serious issues that “modern” working women continue to face today: balancing their work and personal lives, competing with other women, and controlling their own bodies and reproductive choices. Rather than critiquing the show for portraying women as victims, the book shows subtle (and sometimes not-so-subtle) ways that feminism functioned in an era when women were supposedly caught between the “waves” of the women’s movement but when, the authors argue, they functioned nonetheless as empowered individuals. By doing so, it provides historical context and analysis that complicates traditional interpretations by (1) exploring historical constructions of women’s work; (2) unpacking feminist and non-feminist discourses surrounding that work; (3) identifying modes of resistance; and (4) revisiting forgotten work coded as feminine. Erika Engstrom (PhD, University of Florida) is Professor at the University of Nevada, Las Vegas. She is the author of The Bride Factory: Mass Media Portrayals of Women and Weddings. Tracy Lucht (PhD, University of Maryland) is Assistant Professor at Iowa State University. She is the author of Sylvia Porter: America’s Original Personal Finance Columnist. Jane Marcellus (PhD, University of Oregon) is Professor at Middle Tennessee State University. She is the author of Business Girls and Two-Job Wives: Emerging Media Stereotypes of Employed Women. Kimberly Wilmot Voss (PhD, University of Maryland) is Associate Professor at the University of Central Florida. She is the author of The Food Section: Newspaper Women and the Culinary Community.

Acknowledgrnents, vii Introduction: Mad Men and Working Women, p. 1 1 ENGSTROM Erika, The Women of Mad Men: Workplace Stereotypes Beyond Kanter, p. 13 2 MARCELLUS Jane, “Oh, and Men Love Scarves”: Secretarial Culture From Bartleby the Scrivener to Joan Holloway, p. 31 3 VOSS Kimberly Wilmot, Mad Men and Reasonable Women: Selling Lipstick, Exploring Workplace Power, and Raising Babies, p. 51 4 LUCHT Tracy, Sisterhood in the ‘60s: Joan, Peggy, and a Feminist Awakening, p. 69 5 ENGSTROM Erika, Mad Women and the Marriage Gradient: Tue Risks and Rewards of Highly Competent Women, p. 88 6 VOSS Kimberly Wilmot, In Defense of Betty: Tue Role of Gender, Motherhood, and Social Class for Homemakers, p. 105 7 MARCELLUS Jane, “Where the Truth Lies”: Gender, Labor, and “Other” Relationships, p. 123 8 LUCHT Tracy, Race, Religion, and Rights: Otherness Gone Mad, p. 142 Conclusion, p. 162 Appendix: Cited Episodes, p. 169 References, p. 175 Index, p. 189

Notes bibliogr. Index