Livre - Consuming ancient Egypt

B 5842

Description

Livre

UCL Press, Institute of archaeology

MacDonald Sally

Rice Michael 1928 - ...

Institute of archaeology (Londres)

Ucko Peter John 1938 - ...

Presentation materielle : XVI-239 p.- [8] p. de pl.

Dimensions : 24 cm

Consuming Ancient Egypt examines the influence of Ancient Egypt on the everyday lives of contemporary people, of all ages, throughout the world. It looks at the Egypt which the tourist sees, Egypt in film and Egypt as the inspiration for opera. It asks why so many books are published each year on Egyptological subjects at all levels, from the austerely academic to the riotous celebrations of Egypt as a land of mystery, enchantment and fantasy. It then considers the ways in which Ancient Egypt interacts with the living world, in architecture, museum going, the acquisition of souvenirs and reproductions, design, and the perpetual appeal of the mummy. The significance of Egypt as an adjunct to (and frequently the subject of) marketing in the consumer society is examined. It reveals much about Egypt’s immemorial appeal and the psychology of those who succumb to its magic. Publication of the University College London Institute of Archaeology ENCOUNTERS WITH ANCIENT EGYPT SERIES “This series is well organized, informative and comprehensive. Through careful analysis of a multiplicity of sources at hand, the authors, who come from a great variety of disciplines, have presented us with a series that is at once substantial as well as engaging and innovative. An extraordinary work of synthesis, the series promises to endure as an important contribution to the study of Ancient Egypt.” Professor Ronald J. Leprohon, Department of Near & Middle Eastern Civilization, University of Toronto

UCKO Peter, Series Editor’s Foreword, v Contributors, ix List of Figures, xiii 1. RICE Michael and MACDONALD Sally, Tea with a mummy: the consumer’s view of Egypt’s immemorial appeal, p. 1 2. LUPTON Carter, ‘Mummymania’ for the masses: is Egyptology cursed by the mummy’s curse?, p. 23 3. HUMBERT Jean-Marcel; translated by ANTOINE Daniel and OWENS Lawrence Stewart, How to stage Aida, p. 47 4. SEVILLA CUEVA Covadonga, Vicent Lleó’s operetta: La corte de faraón, p. 63 5. SERAFY Sam, Egypt in Hollywood: pharaohs of the fifties, p. 77 6. MACDONALD Sally, Lost in time and space: ancient Egypt in museums, p. 87 7. WALKER Julian, ‘Acquisitions at the British Museum, 1998’, p. 101 8. HASSAN Fekri A., Selling Egypt: encounters at Khan el-Khalili, p. 111 9. HAIKAL Fayza, Egypt’s past regenerated by its own people, p. 123 10. DALY Okasha El, What do tourists learn of Egypt?, p. 139 11. WHEATCROFT Andrew, ‘Wonderful things’: publishing Egypt in word and image, p. 151 12. SCHNITZLER Bernadette, Hijacked images: ancient Egypt in French commercial advertising, p. 165 13. PICKNETT Lynn and PRINCE Clive, Alternative Egypts, p. 175 14. SCHADLA-HALL Tim and MORRIS Genny, Ancient Egypt on the small screen: from fact to fiction in the UK, p. 195 References, p. 217 Index, p. 231

Fait partie d'un ensemble de 8 vol. reprenant les actes d'un congrès organisé en décembre 2000 par l'Institute of archaeology, University College London. Bibliogr. p. 217-230. Index.