Livre - Greek popular musical instruments

FOREWORD, p. 11 INTRODUCTION, p. 15-47 The origins of Greek folk song, p. 16 Greek folk song, p. 25 Popular instruments – Ziyiá – Companía, p. 27 Popular players – Instrument-makers, p. 27 Popular instruments’ workshops, p. 28 The Gypsies, p. 29 Teacher and pupil, p. 29 Recent popular songs, p. 30 The rebétiko song, p. 31 Folk song today, p. 32 The study of Greek folk song, p. 41 The study of popular instruments, p. 43 Ethnomusicology, p. 44 The present edition, p. 45 Collections of Greek musical instruments, p. 47. IDIOPHONES, p. 49-114 Zília (Cymbals), p. 51-53 Terminology, p. 51 Construction, p. 51 Playing technique, p. 52 Finger-cymbals, p. 52 The zília in the Greek world, p. 52 Koudhoúni (Bell), p. 54-80 Terminology, p. 54 The ‘Koudhoúni’ (forged bell), p. 54 The Tsokáni (forged bell), p. 54 The Kýpros (cast-bell), p. 58 The Pellet-bell, p. 58 Construction of forged bells, p. 58 The ‘tuning’ of forged bells, p. 60 Construction of cast-bells, p. 61 ‘Tuning’ of cast-bells, p. 62 Centres of bell-making, p. 64 Original use of bells, p. 64 ‘Equipment’ of flocks, p. 64 Bells and other animals, p. 76 Bells and the shepherd’s flute (floyéra), p. 76 Choosing bells, p. 77 The use of the bell in customs and rituals, p. 77 The bell and musical instruments, p. 80 Massá (Tongs with cymbals), p. 89 Tzamála (Wooden clapper), p. 90 Tríghono (Triangle), p. 90 Hand-clapping (Palamákia) – Snapping of the fingers (Strákes) – Striking the legs with the hands Stamping the ground with one’s foot, p. 90 Nomísmata (Coins) Massoúr-Plexídhes (Spool-bound braids), p. 92 Sourghoút (Headband ornament), p. 93 Koutália (Spoons), p. 93 Mayiriká Skévi (Kitchen utensils), p. 94 Potirákia (Wine glasses), p. 94 Kombolói (Rosary, ‘worry-beads’), p. 94 Símandro (Semanterion), p. 95-104 Terminology, p. 95 Construction, p. 95 Place and manner of use – Sound potential, p. 102 Literary and iconographical sources, p. 103 Kóndio (Struck bell), p. 104 Rokána (Ratchet), p. 113 Réndela (Wooden clapper), p. 113 Volachtíra (‘Beater’), p. 113 Anemodhíktis-Skiáchtro (Wind-blown scarecrow), p. 113 Pyrovolismí (Gunshots), p. 114 Hartákia (Strips of paper), p. 114 MEMBRANOPHONES, p. 115 144 Daoúli (Deum), p. 117-131 Terminology, p. 117 Construction, p. 117 Playing technique, p. 119 The daoúli in the ziyiá, p. 129 The daoúli in the Greek world, p. 130 Toubí (Small drum), p. 131 Défi (Frame drum), p. 132 Terminology, p. 132 Construction, p. 132, p. Playing technique, p. 133 Tamboutsá – Toumbanás (Frame drums), p. 133 Toumbeléki (Pottery drum), p. 134 Mougrinára – Ghourghoúra (Friction drums), p. 135 Nounoúra (Mirliton), p. 135 Comb and Cigarette paper (Mirliton), p. 136 AEROPHONES, p. 145-206 Floyéra – Sourávli – Madoúra (Pipes), p. 147-163 The floyéra (end-blown flute): Construction – Playing technique – Types – Terminology, p. 147 The sourávli (ducted flute): Construction-Playing technique – Types – Terminology, p. 149 The madotira (clarinet-type instrument): Construction – Playing technique – Types, p. 152 The floyéra, the sourávli, the madoúra in the Greek world, p. 161 Zournás (Shawm), p. 163-168 Terminology, p. 163 Construction, p. 163 Playing technique – Musical possibilities, p. 165 The zournás in the Greek world, p. 167 Tsaboúna (Island droneless bagpipe), p. 168-184 Terminology, p. 168 Construction, p. 168 Playing technique – Musical possibilities, p. 183 Gáida (Mainland bagpipe with drone), p. 198-200 Terminology-Construction, p. 198 Playing technique-Musical possibilities, p. 199 The tsaboúna and the gáida in the Greek world, p. 200 Klaríno (Clarinet), p. 201 To Phýllo Dhéndrou (The tree-leaf), p. 202 Bouroú (Conch), p. 202 Troumbéta or Voúkino (Horn), p. 203 Whistles and Whistling, p. 203 Children’s whistles (Sfyrichtres), p. 204 Lalítsa (Water-whistle), p. 205 Voúga (Bull-roarer), p. 206 Seed-pods, p. 206 Animal Bladders, p. 206 CHORDOPHONES, p. 207-302 Tambourás (Tamboura), p. 209-212 Terminology, p. 209 Construction, p. 209 Playing technique -Musical possibilities, p. 210 The tambourás in the Greek world, p. 211 Laghoúto (Long-necked lute) 212-258 Terminology, p. 212 Construction, p. 213 Playing technique, p. 237 Timing the laghoúto, p. 237 Technical and musical possibilities, p. 237 Primadhóri lutenists, p. 239 The laghoúto in the Greek world, p. 240 Oúti (Short-necked lute), p. 258 Laoutokithára (Lute-guitar), p. 258 Mandolíno and Kithára (Mandoline and Guitar), p. 259 Líra (Pear-shaped fiddle), p. 259-275 Construction, p. 259 Playing technique, p. 262 Technical and musical possibilities, p. 262 The liráki-The vrondólira-The common lira, p. 263 The violólira (Violin-shaped lira), p. 264 The líra in the Greek world, p. 274 Kementzés (Bottle – shaped fiddle), p. 275-278 Construction, p. 275 Playing technique-Technical and musical possibilities, p. 271 The origins of the bottle-shaped fiddle, p. 278 Kemanés (Bottle-shaped fiddle), p. 279 Violí (Violin), p. 279-297 Terminology, p. 279 Playing technique, p. 297 Technical and musical possibilities, p. 279 The violin in the Greek world, p. 297 Kanonáki (Psaltery), p. 298-299 Terminology-Construction, p. 298 Playing technique, p. 298 The kanonáki in the Greek world, p. 298 Sandoúri (Dulcimer), p. 299-300 Construction, p. 299 Playing technique Technical and musical possibilities, p. 299 The sandoúri in the Greek world, p. 300 Tsímbalo (Cimbalom), p. 300. Latérna (Barrel-organ), p. 300 Artikólira, p. 301 Tambourás, p. 302 Dhiolí, p. 302 NOTES, p. 359-379 BIBLIOGRAPHY, p. 380-382 SELECTIVE DISCOGRAPHY, p. 383-384 LIST OF PLATES, p. 385-387 SOURCES OF INFORMATIONS INSTRUM ENT-MAKERS AND PLAYERS, p. 387 INDEX OF AUTHORS’ NAMES 388-390 INDEX OF GEOGRAPHICAL NAMES, p. 391-392 GENERAL INDEX, p. 393-411 ACNOWLEDGEMENTS, p. 413 DRAWINGS-PHOTOGRAPHS, p. 414