Livre - What you don't know about aids could fill a museum

306.7 KER

Description

Livre

OnCurating

Kerr Theodore

Presentation materielle : 1 vol. (338 p.)

Dimensions : 29 cm

This issue focuses on HIV, culture and curation, edited by scholar and organizer Theodore (ted) Kerr. The print and online issue features over 40 contributions–including essays, conversations, visual projects, reprints, and personal reflections–from artists, activists, academics, and writers from around the world, exploring AIDS-related culture in the 21st century, through four themes: forgetting, seeing, collecting, and making, all of which reflect on both the historical turn in contemporary AIDS cultural production, and the ongoing need to keep an eye on the present. Artist Projects by Charan Singh, Dudu Quintanilha, Michael McFadden, Nelson Santos, Siân Cook Conversations between Abdul-Aliy A. Muhammad and Louie Ortiz-Fonseca; Adam Barbu and John Paul Ricco; Carlos Motta and John Arthur Peetz; Emily Bass and Yvette Raphael; Jean Carlomusto, Alexandra Juhasz, and Hugh Ryan; Kairon Liu and Manuel Solano; Kelvin Atmadibrata and Benji de la Piedra; Luiza Kempińska, Hubert Zięba, Szymon Adamczak; and Mavi Veloso and Nicholas D’Avella Essays by Alper Turan, Avram Finkelstein, Catalina Imizcoz, Edward Belleville, Emily Colucci, Greg Thorpe, Heather Holmes, Jaime Shearn Coan, Jordan Arseneault, Kate Hallstead, Lyndon K, Gill, Manon S. Parry, Marika Cifor, Miiro Michael, Rev. Michael J. Crumpler, Rahne Alexander, Ricky Price, Sheldon Raymore, Stamatina Gregory, Vladimir Čajkovac Reprints from Cecilia Chung, Olivia Ford, Deon Haywood, Naina Khanna, Suraj Madoori and Charles Stephens; David Kahn and the Brooklyn Historical Society; Demian DinéYazhi´+ R.I.S.E.; People with AIDS advisory committee; l.n. Hafezi and Visual AIDS; Sheldon Raymore; and Triple Canopy with What Would an HIV Doula Do? Theodore (ted) Kerr is a Brooklyn based writer, artist and organizer whose work focuses primarily on HIV/AIDS. He is a founding member of What Would an HIV Doula Do? His writing has appeared in The Village Voice, The Advocate, POZ, and The Body. He teaches at The New School. www.tedkerr.club Edited by Theodore (ted) Kerr Contributions by Szymon Adamczak, Rahne Alexander, Jordan Arseneault, Kelvin Atmadibrata, Nicholas D’Avella, Adam Barbu, Emily Bass, Edward Belleville, Vladimir Cˇ ajkovac, Jean Carlomusto, Renaud Chantraine, Cecilia Chung, Marika Cifor, Jaime Shearn Coan, Emily Colucci, Siân Cook, Rev. Michael J. Crumpler, Demian DinéYazhi´, Avram Finkelstein, Olivia Ford, Lyndon K. Gill, Stamatina Gregory, l.n. Hafezi, Kate Hallstead, Deon Haywood, Heather Holmes, Catalina Imizcoz, Alexandra Juhasz, David Kahn, Luiza Kempin´ska, Theodore (ted) Kerr, Naina Khanna, Kairon Lui, Suraj Madoori, Michael McFadden, Miiro Michael, Florent Molle, Carlos Motta, Abdul-Aliy A. Muhammad, Sandrine Musso, Louie Ortiz-Fonseca, Manon S. Parry, People with AIDS advisory committee, Benji de la Piedra, John Arthur Peetz, Ricky Price, Dudu Quintanilha, Yvette Raphael, Sheldon Raymore, John Paul Ricco, Hugh Ryan, Nelson Santos, Charan Singh, Manuel Solano, Charles Stephens, Tacoma Action Collective, The HIV Howler, Greg Thorpe, Alper Turan, Triple Canopy, Mavi Veloso, Visual AIDS, What Would an HIV Doula Do?, Hubert Ziȩba

CONTENTS, p. 1 INTRODUCTION KERR Theodore (ted), What You Don’t Know About AIDS Could Fill A Museum: Curatorial Ethics and the Ongoing Epidemic in the 21st Century, p. 5 KERR Theodore (ted), Framing The Issue, p. 14 FORGETTING MUHAMMAD Abdul-Aliy A. and ORTIZ-FONSECA Louie, A Brief History of HIV: A Conversation Between Two Friends, p. 19 RAYMORE Sheldon, Waniyetu Wowapi and HIV/AIDS, p. 28 MCFADDEN Michael, Luckiest Guy, p. 31 ALEXANDER Rahne, The Lost and The Found, p. 34 BARBU Adam and RICCO John Paul, Inheriting AIDS: A Conversation, p. 40 KAHN David and BROOKLYN HISTORICAL SOCIETY, April 20, 1993, p. 46 COOK Siân, Graphic Ephemera Lasting Impact: Building an Online UK HIV/AIDS Design Archive, p. 48 FINKELSTEIN Avram, AIDS, Coca-Cola, and the Tompkins Square Park Riot, p. 57 HALLSTEAD Kate, A Body of Work: Corporeal Materials, Presence, and Memory in Jerome Caja’s Exhibition, Remains of the Day, p. 68 QUINTANILHA Dudu, In Case You Forgot How I Looked, p. 72 MOTTA Carlos, Legacy: ¬A Timeline of HIV/AIDS, p. 78 SEEING Artist Kelvin ATMADIBRATA in Conversation with Oral Historian Benji de la PIEDRA, HIV Ambivalence and Game-Playing Influence, p. 83 BASS Emily and RAPHAEL Yvette, Looking for the Faces of Our Friends, p. 90 BELLEVILLE Edward, Stones and Water Weight: Working Out Past and Future with Mykki BLANCO, p. 98 PEOPLE WITH AIDS ADVISORY COMMITTEE, The Denver Principles, p. 105 A Conversation Between Szymon ADAMCZAK, Luiza KEMPIŃSKA, and Hubert ZIĘBA, Poland and AIDS, p. 108 KERR Theodore (ted), From Tactic to Demand: HIV Visibility Within a Culture of Criminalization, p. 120 DINÉYAZHI’ Demian and R.I.S.E., HIV Affects Indigenous Communities, p. 128 An Exchange to Expand on the PrEP Manifesto between Carlos MOTTA and John Arthur PEETZ, Because PrEP is Not About AIDS, p. 132 GREGORY Stamatina, Shooting Up in the Museum: Intravenous Drug Use in Brian Weil’s The AIDS Photographs, p. 140 SINGH Charan, Among Four Friends: Conversations Before and in a Hospital Waiting Room, p. 151 A Conversation Between Mavi VELOSO and Nicholas D’AVELLA, Fingerprints, Unfinished, p. 158 COLLECTING A Conversation Between Jean CARLOMUSTO, Alexandra JUHASZ, and Hugh RYAN, Abiding Relations Through Recovery, Restoration and Curation, p. 169 CIFOR Marika, Status = Undetectable: Curating for the Present and Future of AIDS, p. 177 GILL Lyndon K., Fieldnotes from the Afterlife: Lyle Ashton Harris’ Living Archive, p. 188 HOLMES Heather, Public Ruptures, Public Readerships: AIDS in Writing, p. 192 IMIZCOZ Catalina, Precarious Structures: HIV, Museums, and History, p. 199 CHANTRAINE Renaud, MOLLE Florent, MUSSO Sandrine, AIDS Politics of Representation and Narratives: A Current Project at the Museum of European and Mediterranean Civilizations (Mucem) in Marseilles, France, p. 206 PARRY Manon S., AIDS and the Medical Museum Gaze: Collecting and Exhibiting Science and Society, p. 219 Ricky PRICE, Viral Memories: The Making of Institutional History and Community Memory in the HIV/AIDS Crisis, p. 232 SANTOS Nelson, Love Happened Here, p. 243 TACOMA ACTION COLLECTIVE, #StopErasingBlackPeople, p. 257 MAKING ARSENEAULT Jordan, How to Have A Lecture Series In An Epidemic, p. 261 CRUMPLER Rev. Michael J., Thoughts on How to Include Spirituality in Exhibitions about HIV and AIDS, p. 267 COLUCCI Emily, Touch Across Time: Familial Loss And Its Remains In Art During The Ongoing HIV/AIDS Pandemic, p. 272 TURAN Alper, Positive Space: An Exhibition Project on HIV/AIDS in Turkey, p. 283 ČAJKOVAC Vladimir, How to (Dis)quiet a Vampire, p. 295 COAN Jaime Shearn, How to Catalogue a Crisis: An Afterword to Lost and Found: Dance, HIV/AIDS, New York, Then and Now (2016), p. 303 HAFEZI L.N., [INSTRUCTIONS FROM CHLOE], A Curatorial Statement, p. 311 Kairon LIU, Manuel SOLANO, Could I Be A Happy Person? A Conversation between Artists, p. 315 MICHAEL Miiro, Disability, HIV, Art, and, Culture, p. 324 CHUNG Cecilia, FORD Olivia, HAYWOOD Deon, KHANNA Naina, MADOORI Suraj, STEPHENS Charles, Intersectionality, HIV Justice, and the Future of Our Movement, p. 327 THORPE Greg, Drunk At Vogue: The Last Disco, p. 331 What Would an HIV Doula Do?, Triple Canopy, Twenty-One Questions to Consider When Embarking upon AIDS-Related Cultural Production, p. 334 IMPRINT, p. 338