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Livre - Fashion and museums
391 MEL
Description
Livre
Berg
Bloomsbury
Melchior Marie Riegels 1974 - ...
Svensson Birgitta 1948 - ...
Presentation materielle : 1 vol. (xviii-210 p.)
Dimensions : 24 cm
“Fashion and Museums is timely, fascinating and rigorous: international in scope, it embraces history, practice and theory. Some contributors are on the cusp of their careers, others established with a wealth of experience. The diversity and distinction of their preoccupations adds further insights. It will undoubtedly become a core text.” AMY DE LA HAYE, Rootstein Hopkins Chair of Dress History and Curatorship, London College of Fashion, UK Fashion and Museums Theory and Practice Why is fashion “in fashion” in museums today? This timely volume brings together expert scholars and curators to examine the reasons behind fashion’s popularity in the twenty-first century museum and the impact this has had on wider museum practice. Chapters explore the role of fashion in the museum across a range of international case studies including the Costume Institute at the Metropolitan Museum of Art in New York, The Fashion Museum at Bath, ModeMuseum in Antwerp and many more. Contributions look at topics such as how fashion has made museums accessible to diverse audiences and how curators present broader themes and issues such as gender, class and technology innovatively through exhibiting fashion. Drawing on approaches from dress history, fashion studies, museum studies and curatorship, this engaging book will be key reading for students and scholars across a range of disciplines. Marie Riegels MELCHIOR is Assistant Professor at University of Copenhagen, Denmark. Birgitta SVENSSON is Professor and holder of the Hallwyl chair in European Ethnology at Nordiska museet and Stockholm University, Sweden.
List of illustrations, x Notes on contributors, xv MELCHIOR Marie Riegels, Designmuseum Danmark, Denmark, Introduction: understanding fashion and dress museology, p. 1 SECTION I: THE POWER OF FASHION. WHEN MUSEUMS ENTER NEW TERRITORY, p. 19 1. KODA Harold & GLASSCOCK Jesscica, The Costume Institute, The Metropolitan Museum of Art, New York, The Costume Institute at the Metropolitan Museum of Art: An Evolving History, p. 21 2. TEUNISSEN José, Arnhem Design School, The Netherlands, Understanding Fashion through the Museum, p. 33 3. PECORARI Marco, Centre for Fashion Studies, University of Stockholm, Sweden, Contemporary Fashion History in Museums, p. 46 4. DAHLGREN Anna, Department of Art History, University of Stockholm, Sweden, Appraised, displayed and concealed: Fashion Photography on the Swedish Museum Stage, p. 61 SECTION II: FASHION CONTROVERSIES. WHEN BODIES BECOME PUBLIC, p. 75 5. PETROV Julia, School of Creative and Critical Studies, Alberta College of Art and Design, Canada., Gender considerations in fashion history exhibitions, p. 77 6. LARSSON Marianne, Nordiska museet, Sweden, Class and Gender in a Museum Collection: Female Skiwear, p. 91 7. HJEMDAHL Anne-Sophie, University of Oslo, Norway, Exhibiting the Body, Dress and Time in Museums: A Historical Perspective, p. 108 SECTION III: IN PRACTICE, p. 125 8. HARDEN Rosemary, The Fashion Museum in Bath, United Kingdom, From Museum of Costume to Fashion Museum: In the case of the Fashion Museum in Bath, p. 127 9. TOFTEGAARD Kirsten, Designmuseum Danmark, Denmark, Collecting Practice: Designmuseum Danmark, p. 139 10. PHILLIPSEN Ingeborg, Museum Amager, Denmark, Engaging the public in issues of Dress and Identity: A Case Study of Amagermuseet in Denmark, p. 152 11. RASCH Tone & EIDHAMMER Ingebjørg, The Norwegian Museum of Science, Technology and Medicine, Norway, Learning through Fashion: The Norwegian Museum of Science, Technology and Medicine, p. 168 12. HORSLEY Jeffrey, London Collage of Fashion, United Kingdom, Autobiography as a proposed approach to a fashion exhibition, p. 180 SVENSSON Birgitta, Nordiska museet, Sweden, In Conclusion: Museums dressed in fashion, p. 197 Index, p. 207
Autre tirage : 2015. Bibliogr. en fin de contributions. Notes bibliogr. Bibliogr. p. 153-163. Index
