Livre - Rock' n' roll
784.6 PER
Description
Livre
Fondation Cartier pour l'art contemporain
Éditions Xavier Barral
Fondation Cartier pour l'art contemporain
Presentation materielle : 418 p.
Dimensions : 34 cm
Why Rock’n’roll? A conversation between Alain Dominique PERRIN and Greg GELLER, p. 12 PALMER Robert, GURALNICK Peter, MAZZOLENI Florent, The roots of rock’n’roll: from boogie-woogie to rhythm and blues, p. 38 PALMER Robert, Rock Begins, p. 40 Boogie-Woogie, p. 46 Swings Band, p. 54 Gospel, p. 64 Blues, p. 72 Country, p. 80 Rhythm and Blues, p. 88 GURALNICK Peter, Sister Rosetta Tharpe, p. 69 GURALNICK Peter, Howlin Wolf, p. 77 MAZZOLENI Florent, Rhythm and blues: Rock before Rock, p. 88 HALBERSTAM David, WERTHEIMER Alfred, GURALNICK Peter, RENAUD Line, The rock’n’roll explosion: Elvis, teenagers and rock’n’roll attitude, p. 126 HALBERSTAM David, Elvis and the Fifties, p. 128 WERTHEIMER Alfred, Elvis Presley Portfolio, p. 172 GURALNICK Peter, Sam Phillips, p. 249 GURALNICK Peter, Dewey Phillips, p. 251 RENAUD Line, Elvis in Paris, p. 277 GILLETT Charlie, EGGLESTON William, GURALNICK Peter, The golden age of rock’n’roll: from Bill Haley to Buddy Holly, p. 278 GILLETT Charlie, Five styles of Rock’n’roll, p. 280 Bill Haley, p. 284 Bo Diddley, p. 294 Chuck Berry, p. 300 Fats Domino, p. 310 Little Richard, p. 324 Jerry Lee Lewis, p. 334 Buddy Holly, p. 344 Carl Perkins, p. 368 Gene Vincent, p. 370 Eddie Cochran, p. 372 EGGLESTON William, Buddy Holly Portfolio, p. 350 GURALNICK Peter, Rufus Thomas, p. 367 GURALNICK Peter, Doc and Otis, p. 390 MARCUS Greil, Seven records, p. 392 GELLER Gregg, Biographies, p. 409 GELLER Gregg, 39-59 chronology, p. 411 LISTE DES TITRES DU DISUQE COMPACT 1. Albert Ammons, Boogie Woogie Stomp (Smith), 1959, (boogie woogie) 2. Lionel Hampton And His Orchestra, Flying Home (Goodman, Hampton), 1942, (big band jazz) 3. Louis Jordan And His Tympany Five, Caldonia (Moore), 1945, (rhythm and blues) 4. Rev. Kelsey And His Congregation, Little Boy (Kelsey), 1948, (gospel) 5. T-Bone Walker And His Guitar, T-Bone Shuffle (Walker), 1947, (blues - electric guitar) 6. Hank Williams, Move It On Over (Williams), 1947, (country) 7. Roy Brown, Mighty, Mighty Man (Brown), 1947, (rhythm and blues) 8. The Dominoes, Sixty Minute Man (Ward, Marks), 1950, (rhythm and blues - vocal roup) 9. Ruth Brown, Mama, He Treats Your Daughter Mean (Lance, Wallace), 1952, (rhythm and blues) 10. Clyde McPhatter And The Drifters, Money Honey (Stone), 1953, (rhythm and blues - vocal roup) 11. Muddy Waters, I’m Ready (McKinley Morganfield), 1954, (blues) 12. Ray Charles, I’ve Got A Woman (Charles, Richard), 1954, (rhythm and blues) 13. Bo Diddley, Bo Diddley (McDaniel), 1955, (rock’n’roll) 14. Fats Domino, Ain’t That A Shame (Domino-Bartholomew), 1955, (rock’n’roll) 15. Bill Haley And His Comets, See You Later, Alligator (Guidry), 1955, (rock’n’roll) 16. Elvis Presley, Don’t Be Cruel (Presley, Blackwell), 1956, (rock’n’roll) 17. Gene Vincent And His Blue Caps, Be-Bop-A-Lula (Vincent, Davis), 1956, (rock’n’roll - rockabilly) 18. Carl Perkins, Blue Suede Shoes (Perkins), 1956, (rock’n’roll - rockabilly) 19. Chuck Berry, Brown Eyed Handsome Man (Berry), 1956, (rock’n’roll) 20. Little Richard, Long Tall Sally (Johnson, Penniman, Blackwell), 1956, (rock’n’roll)
Notes biogr.. - Cet ouvrage est publié à l'occasion de l'exposition "Rock'n'roll 39-59" présentée à la fondation Cartier pour l'art contemporain à Paris du 22 juin au 28 octobre 2007