Livre - The mask beyond the scene
394.2 NIG
Description
Livre
In Riga Edizioni
Niglio Olimpia 1970 - ...
Del Bianco Paolo 1945 - ...
Presentation materielle : 1 vol. (358 p.)
Dimensions : 25 cm
The popular traditions, based on disguises, have their origins in ancient festivals, which are very different among them. In these artistic events there is a large opening to human sentiments and thoughts: they are meetings where all peoples converge with their social, ethnic, economic, political and religious differences. In these traditional celebrations the daily life is built on imagination, on games and it allows a continuous enrichment and ex-change of cultural knowledge. These urban festivals allow to build forms of art often unique. Among these artistic events we identify the Carnival, a city festival that, in the West, has origin in ancient ceremonies of the Greek and the Roman period. These traditions are survivals of ancient purification rituals. However today the Carnival has become a symbol of meetings that take place in public spaces of the city where you can meet people with different cultural backgrounds. All this allows to enjoy and share traditional and artistic expressions of different cultures in large festivals with interesting diversities. The 1st International Symposium, Dialogue among cultures. Carnivals in the worlds has offered a reflection on the international Value of Intangible Heritage as defined by UNESCO: practices, representations, knowledge and techniques that facilitate a strong sense of cultural identity (UNESCO, Declaration of 2003) among the communities, groups and individuals. This Cultural Heritage can be appreciated in different sectors of human activity: art, economics, sociology, anthropology, architecture, engineering, etc. So the Carnival plays an important role in the cultural world because it proposes the protection of an important traditional heritage and the reinforcement of the cultural and social integration between East and West. Another very important aspect of the Carnival is the education towards the popular culture that can be seen as a fundamental educational process for the new generations to promote knowledge of the history and the value of their local heritage. The academic aim of the 1st International Symposium was the analysis of the issues related to the urban festivals and masquerades that take place, with different methods, in many countries of the world. The congress was born with the scope to deepen the knowledge of different and multicultural expressions that occur in public and urban spaces for the cultural dialogue, for the integration and the respect of differences (UNESCO, Declaration of 2005). For this reason the 1st International Symposium has promoted a space for intercultural dialogue between the scientific community, the local community and future generations, with the aim of sharing different methods to understand the tradition of the Carnival around the world. The International Symposium has coordinated by Olimpia Niglio (Italy), international expert in conservation of cultural heritage and expert in cultural management and Claudia Afanador (Colombia), anthropologist and Director Chair Carnival in Pasto (Colombia). More than 60 speakers which took part in the Symposium have arrived from 21 countries of the world and 3 continents: America, Europe, Oceania.
PREFACE DEL BIANCO Paolo, Per il dialogo tra culture un contributo alla conoscenza della diversità delle espressioni culturali. Carnevali nel mondo, p. 7 INTRODUCTION NIGLIO Olimpia, AFANADOR Claudia, Dialogue among Cultures. Carnivals in the world, p. 9 NIGLIO Olimpia, La Scena traveste il Discorso, p. 11 ARGENTINA MOLINA Graciela Silvia, ZAMBIANCHI Martina Leonor, Argentina Carnivals. Multiethnic and Pluralistic since its origin, p. 17 AUSTRALIA PARK Tanya, The transmission of Intangible Cultural Heritage in Japanese Traditional Architecture, p. 23 BELGIUM LAENEN Marc, The “cultural biography” of living environments a framework for Carnival as source for self-knowledge and knowledge of “the others”, p. 29 BRAZIL DOZENA Alessandro, The Carnival in the Biggest Brazilian City, p. 36 CHILE PACHECO SEPÚLVEDA Andrés Eduardo, Nuevas memorias, viejos relatos, p. 42 CHAMORRO Andrea, Carnaval en Arica: danzando con el corazón, p. 49 COLOMBIA MUÑOZ Eliyahu Eduardo, El Patrimonio Cultural Intangible. Recurso para el Fortalecimiento de las Economías Locales a Nivel Global, p. 53 MESA MANOSALVA Edgar Guillermo, El carnaval, escenario para el encuentro intercultural, p. 59 PALACIOS MONTILLA Juseth, La máscara del pueblo. Memorias de un actor, p. 65 LONDOÑO PINZÓN Jorge Enrique, Procesos socioculturales en el Carnaval del diablo en Riosucio Caldas, Colombia, p. 69 AFANADOR HERNÁNDEZ Claudia, GONZÁLEZ HIDALGO Carlos Andrés, Chair carnival. Assessment of carnival of black and white from Pasto. Intangible cultural heritage through the academy, p. 75 AFANADOR HERNÁNDEZ Claudia, GONZÁLEZ HIDALGO Carlos Andrés, “Vas a jugar Carnavales?” Construyen do imaginarios de futuro desde el Carnaval de Negros y Blancos de Pasto, p. 80 ÁLVAREZ CUESTA Ezequiel, Realismo mágico hecho disfraz, p. 85 EGAS VILLOTA Mario Fernando, Identidad cultural y expresión musical en el carnaval de Negros y Blancos, p. 92 RODRÍGUEZ ROSALES Javier, Aesthesis del Carnaval de Negros y Blancos, p. 97 HIDALGO INSUASTY Fredy Mauricio, De Mamá Trini a Piero en el Carnaval de Negros y Blancos de Pasto, p. 107 HERRERA DIAZ Alberto José, Los Cabildos en Cartagena de Indias… con sabor a Carnaval. Su papel en la identidad y toma de decisiones de la Ciudad, p. 113 CATAÑO NIEVA Gabriel Francisco, La Dramaturgia itinerante del Carnaval de Cali, p. 118 CZECH REPUBLIC ADÁMEK Petr, The resonances of Slavic carnival celebrations in the work of Vavřinec Leandr Rvačovský, p. 125 DOMÍNGUEZ RODRÍGUEZ Mauricia, DOMINICAN REPUBLIC Arte colectivo e identidad en los personajes y regiones del carnaval dominicano, p. 132 GREECE BIRLIRAKI Pepi, The nature of the Rethymnian Carnival, p. 147 HUNGARY HARLOV Melinda, The Intangible World Heritage Carneval of Hungary and other winter closing traditions of the region, p. 153 ITALY CLEMENTE Pietro, Carnevali indigeni del XXI secolo, p. 160 CLEMENTE Pietro, MANCINI Luca, LAPICCIRELLA ZINGARI Valentina, Il carneval e come ‘elemento’ patrimoniale, tra comunità, politiche, antichi simbolismi, p. 165 FERRACUTI Sandra, Polifonie del patrimonio culturale: il caso del Carnevale di Satriano di Lucania, p. 174 BROCCOLINI Alessandra, BALLACCHINO Katia, Dal folklore alle “comunità patrimoniali”: il Carnevale di Serino (Avellino) e le nuove reti territoriali del carnevale, p. 184 MIRIZZI Ferdinando, I Carnevali contemporanei e il rapporto con la tradizione, p. 192 PADIGLIONE Vincenzo, Della maschera e dei suoi usi politici dentro e fuori il carnevale: un’etnografia del contemporaneo, p. 198 PICCARDI Polo, La musica a Firenze in tempo di carnevale e i Libri di Ricordanze del convento della SS. Annunziata, p. 201 SIMEONI Paola Elisabetta, Celebrare la creatività, p. 205 KEZICH Giovanni, Carnival King of Europe: una nuova prospettiva sulle mascherate d’inverno, p. 212 COLLETTA Teresa, Southern Italy Carnivals and historical towns. The Carnival festivities as urban collective events in Campania region, p. 220 ESPOSITO Vincenzo, Tracce Persistenti. La Lunga Vita del Carnevale di Montemarano: Note sul FILM, p. 227 ALMA Alberto, Lo storico Carnevale di Ivrea, p. 229 MAZZI Andrea, Arte e cultura nelle grandi macchine di cartapesta del carnevale di Viareggio, p. 235 SIVIERO Enzo, GUARASCIO Massimo, MARTINI Viviana, Intercultural dialogue: TUNeIT Mediterranean BRIDGING, p. 243 PAFFI Mario, Le maschere di Mamoiada (NU), i Mamuthones, gli Issohadores e le altre del Carnevale Barbaricino, p. 249 PORCU Rita, Carnevale Barbaricino: Fonni e Teti, due realtà a confronto, p. 258 GIONATA GHERI Riccardo, The foods of Carnival, in different Italian regions as a cultural expression of ancient traditions, p. 263 VILLA Marta, Initiation and traditional heritage in the Carnival rites of the Italian Eastern Alps: the young people of German minority between ancestral rituals and identity. The case study of Stilfs in Vinschgau (Südtirol, Italy), p. 266 LUXEMBURG CICIMOV Aleksandar, MUÑOZ Eliyahu Eduardo, Federation of European Carnival Cities, p. 274 MALTA RIPARD Francis, Malta Carnival and Traditions. Carnival is the oldest popular festival in the world, p. 278 MEXICO HURTADO PLIEGO Ana, Tlaltizapán. Un lugar para mirar y querer ser, p. 283 GONZÁLEZ Jaime Silva, GAMA AVILEZ Romelia, Danzas tradicionales en Carnaval y otras festividades en Guerrero, México, p. 287 GAMA AVILEZ Romelia, GONZÁLEZ Jaime Silva, Carnavales en las costas de México, p. 293 CONSUELO Delia del, CUANALO Domínguez, CABRERA BECERRA Virginia, LÓPEZ ROMERO Agustín, El carnaval, acto festivo, patrimon ial y de reapropiación barrial en la ciudad de Puebla. México, p. 298 CAMPOS CASTRO Ricardo, De las cuerdas del violín, a las te cnologías de sonido (sonidero). Cambio y trasformación en el carnaval de los barrios de la ciudad de Puebla, p. 304 PERU ZENKER Rosemary, Carnaval y tradiciones en la Sierra Sur del Perú en la obra de Manuel Alzamora (1900-1970), p. 313 NONATO CUETO María Gracia, Carnavales en la Sierra del Perú: tradición mestiza, p. 316 PORTUGAL MARGARIDA DE, ALMEIDA MIRANDA CARVALHO Ana, Carnival of Torres Vedras (Portugal). Carnival and Traditions, p. 320 NEVES José, The Carnival Arts Center, in Torres Vedras: the city, the museum and the square, p. 323 SPAIN DARIAS PRÍNCIPE Alberto, ARMAS NÚÑEZ Jonás, , El Carnaval en Canarias: variedad e interculturalidad, p. 327 GUEROLA-BLAY Vicente, GIRONÉS-SARRRIÓ Ignasi, ESPÍ-PASTOR Mónica, Managing intangible cultural heritage: the CARNVAL project case study, p. 333 SWITZERLAND POPPI Cesare, Death, Masks and Carnival: ritual practice, metaphor and ‘the real thing’ in Europe, p. 336 UKRAINE LISOVA Anna, DMITRIEVA Oksana, Ukrainian Maslenitsa: rituals, origins, diversity and influence on contemporary culture Carnival and Intercultural Dialogue, p. 340 URUGUAY ALFARO Elizabeth, IBARLUCEA Laura, De la bacanal al escenario: consolidación del carnaval teatral en Uruguay, p. 345 COMMITTEES / PARTNERS, p. 357
